Wheel of Fortune Tarot Card Meaning and Art: Tarot Genoves Deck: Queen of Tarot

Wheel of Fortune Tarot Card Meaning and Art Tarot Genoves Deck

Designation

Wheel of Fortune

About the Deck

Tarot Genoves Deck

A reproduction of an authentic Genovean Tarot exhibited at the Fournier Playing Card Museum.

Provenance

Genova, Italy. 1887.

Description

A wheel of seven spokes (the two halves of the double-headed cards make it eight spokes, which is incorrect) revolving (between two uprights), On the ascending side is an animal ascending, and on the descending side is a sort of monkey descending; both forms are bound to the wheel. Above it is the form of an angel (or a sphinx in some) holding a sword in one hand and a crown in the other. This very complicated symbol is much disfigured, and has been well restored by Levi. It symbolises Fortune, good or bad.

Meaning of Wheel of Fortune from the Tarot Genoves Deck

Upright

Good Fortune, Success, Unexpected Luck;

Reversed

Ill-Fortune, Failure, Unexpected Ill-Luck.

According to Many Schools of Thought

A. E. Waite's Secondary Meanings

The Wheel of Fortune. There is a current Manual of Cartomancy which has obtained a considerable vogue in England, and amidst a great scattermeal of curious things to no purpose has intersected a few serious subjects. In its last and largest edition it treats in one section of the Tarot; which--if I interpret the author rightly--it regards from beginning to end as the Wheel of Fortune, this expression being understood in my own sense. I have no objection to such an inclusive though conventional description; it obtains in all the worlds, and I wonder that it has not been adopted previously as the most appropriate name on the side of common fortune-telling. It is also the title of one of the Trumps Major--that indeed of our concern at the moment, as my sub-title shews. Of recent years this has suffered many fantastic presentations and one hypothetical reconstruction which is suggestive in its symbolism. The wheel has seven radii; in the eighteenth century the ascending and descending animals were really of nondescript character, one of them having a human head. At the summit was another monster with the body of an indeterminate beast, wings on shoulders and a crown on head. It carried two wands in its claws. These are replaced in the reconstruction by a Hermanubis rising with the wheel, a Sphinx couchant at the summit and a Typhon on the descending side. Here is another instance of an invention in support of a hypothesis; but if the latter be set aside the grouping is symbolically correct and can pass as such.