Queen of Tarot

The ancient wisdom of the cards

Tarot Reading What does my near future hold?

Reading Performed 12/01/2012 at 3:27 PM

Click or scroll down for the meaning of each position and the interpretation of its card.

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The Meanings of these Tarot Cards

Card One

The Hermit from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

The Hermit, as he is termed in common parlance, stands next on the list; he is also the Capuchin, and in more philosophical language the Sage. He is said to be in search of that Truth which is located far off in the sequence, and of justice which has preceded him on the way. But this is a card of attainment, as we shall see later, rather than a card of quest. It is said also that his lantern contains the Light of Occult Science and that his staff is a Magic Wand. These interpretations are comparable in every respect to the divinatory and fortune-telling meanings with which I shall have to deal in their turn. The diabolism of both is that they are true after their own manner, but that they miss all the high things to which the Greater Arcana should be allocated. It is as if a man who knows in his heart that all roads lead to the heights, and that God is at the great height of all, should choose the way of perdition or the way of folly as the path of his own attainment. Eliphas Levi has allocated this card to Prudence, but in so doing he has been actuated by the wish to fill a gap which would otherwise occur in the symbolism. The four cardinal virtues are necessary to an idealogical sequence like the Trumps Major, but they must not be taken only in that first sense which exists for the use and consolation of him who in these days of halfpenny journalism is called the man in the street. In their proper understanding they are the correlatives of the counsels of perfection when these have been similarly re-expressed, and they read as follows: (a) Transcendental justice, the counter-equilibrium of the scales, when they have been overweighted so that they dip heavily on the side of God. The corresponding counsel is to use loaded dice when you play for high stakes with Diabolus. The axiom is Aut Deus, aut nihil. (b) Divine Ecstacy, as a counterpoise to something called Temperance, the sign of which is, I believe, the extinction of lights in the tavern. The corresponding counsel is to drink only of new wine in the Kingdom of the Father, because God is all in all. The axiom is that man being a reasonable being must get intoxicated with God; the imputed case in point is Spinoza. (c) The state of Royal Fortitude, which is the state of a Tower of Ivory and a House of Gold, but it is God and not the man who has become Turris fortitudinis a facie inimici, and out of that House the enemy has been cast. The corresponding counsel is that a man must not spare himself even in the presence of death, but he must be certain that his sacrifice shall be-of any open course-the best that will ensure his end. The axiom is that the strength which is raised to such a degree that a man dares lose himself shall shew him how God is found, and as to such refuge--dare therefore and learn. (d) Prudence is the economy which follows the line of least resistance, that the soul may get back whence it came. It is a doctrine of divine parsimony and conservation of energy, because of the stress, the terror and the manifest impertinences of this life. The corresponding counsel is that true prudence is concerned with the one thing needful, and the axiom is: Waste not, want not. The conclusion of the whole matter is a business proposition founded on the law of exchange: You cannot help getting what you seek in respect of the things that are Divine: it is the law of supply and demand. I have mentioned these few matters at this point for two simple reasons: (a) because in proportion to the impartiality of the mind it seems sometimes more difficult to determine whether it is vice or vulgarity which lays waste the present world more piteously; (b) because in order to remedy the imperfections of the old notions it is highly needful, on occasion, to empty terms and phrases of their accepted significance, that they may receive a new and more adequate meaning.

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Card Two

Justice from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

Fortitude. This is one of the cardinal virtues, of which I shall speak later. The female figure is usually represented as closing the mouth of a lion. In the earlier form which is printed by Court de Gebelin, she is obviously opening it. The first alternative is better symbolically, but either is an instance of strength in its conventional understanding, and conveys the idea of mastery. It has been said that the figure represents organic force, moral force and the principle of all force.

Card Three

Five of Clubs from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

Success in financial speculation.

Card Four

Death from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

Death. The method of presentation is almost invariable, and embodies a bourgeois form of symbolism. The scene is the field of life, and amidst ordinary rank vegetation there are living arms and heads protruding from the ground. One of the heads is crowned, and a skeleton with a great scythe is in the act of mowing it. The transparent and unescapable meaning is death, but the alternatives allocated to the symbol are change and transformation. Other heads have been swept from their place previously, but it is, in its current and patent meaning, more especially a card of the death of Kings. In the exotic sense it has been said to signify the ascent of the spirit in the divine spheres, creation and destruction, perpetual movement, and so forth.

Card Five

Ace of Swords from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

Great prosperity or great misery.

Card Six

Nine of Cups from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

Of good augury for military men.

Card Seven

Ten of Coins from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

Represents house or dwelling, and derives its value from other cards.

Card Eight

Three of Coins from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

If for a man, celebrity for his eldest son.

Card Nine

Ten of Swords from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

Followed by Ace and King, imprisonment; for girl or wife, treason on the part of friends.

Card Ten

Seven of Clubs from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

A dark child.

Card Eleven

Ace of Coins from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

The most favourable of all cards.

Card Twelve

The Devil from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

The Devil. In the eighteenth century this card seems to have been rather a symbol of merely animal impudicity. Except for a fantastic head-dress, the chief figure is entirely naked; it has bat-like wings, and the hands and feet are represented by the claws of a bird. In the right hand there is a sceptre terminating in a sign which has been thought to represent fire. The figure as a whole is not particularly evil; it has no tail, and the commentators who have said that the claws are those of a harpy have spoken at random. There is no better ground for the alternative suggestion that they are eagle's claws. Attached, by a cord depending from their collars, to the pedestal on which the figure is mounted, are two small demons, presumably male and female. These are tailed, but not winged. Since 1856 the influence of Eliphas Levi and his doctrine of occultism has changed the face of this card, and it now appears as a pseudo-Baphometic figure with the head of a goat and a great torch between the horns; it is seated instead of erect, and in place of the generative organs there is the Hermetic caduceus. In Le Tarot Divinatoire of Papus the small demons are replaced by naked human beings, male and female who are yoked only to each other. The author may be felicitated on this improved symbolism.

Card Thirteen

Temperance from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

Temperance. The winged figure of a female--who, in opposition to all doctrine concerning the hierarchy of angels, is usually allocated to this order of ministering spirits--is pouring liquid from one pitcher to another. In his last work on the Tarot, Dr. Papus abandons the traditional form and depicts a woman wearing an Egyptian head-dress. The first thing which seems clear on the surface is that the entire symbol has no especial connexion with Temperance, and the fact that this designation has always obtained for the card offers a very obvious instance of a meaning behind meaning, which is the title in chief to consideration in respect of the Tarot as a whole.

Card Fourteen

Nine of Swords from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

An ecclesiastic, a priest; generally, a card of bad omen.

Card Fifteen

Two of Coins from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

Troubles are more imaginary than real.

Card Sixteen

Two of Swords from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

Gifts for a lady, influential protection for a man in search of help.

Card Seventeen

The Sun from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

The Sun. The luminary is distinguished in older cards by chief rays that are waved and salient alternately and by secondary salient rays. It appears to shed its influence on earth not only by light and heat, but--like the moon--by drops of dew. Court de Gebelin termed these tears of gold and of pearl, just as he identified the lunar dew with the tears of Isis. Beneath the dog-star there is a wall suggesting an enclosure-as it might be, a walled garden-wherein are two children, either naked or lightly clothed, facing a water, and gambolling, or running hand in hand. Eliphas Levi says that these are sometimes replaced by a spinner unwinding destinies, and otherwise by a much better symbol-a naked child mounted on a white horse and displaying a scarlet standard.

Card Eighteen

Two of Cups from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

Favourable in things of pleasure and business, as well as love; also wealth and honour.

Card Nineteen

Wheel of Fortune from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

The Wheel of Fortune. There is a current Manual of Cartomancy which has obtained a considerable vogue in England, and amidst a great scattermeal of curious things to no purpose has intersected a few serious subjects. In its last and largest edition it treats in one section of the Tarot; which--if I interpret the author rightly--it regards from beginning to end as the Wheel of Fortune, this expression being understood in my own sense. I have no objection to such an inclusive though conventional description; it obtains in all the worlds, and I wonder that it has not been adopted previously as the most appropriate name on the side of common fortune-telling. It is also the title of one of the Trumps Major--that indeed of our concern at the moment, as my sub-title shews. Of recent years this has suffered many fantastic presentations and one hypothetical reconstruction which is suggestive in its symbolism. The wheel has seven radii; in the eighteenth century the ascending and descending animals were really of nondescript character, one of them having a human head. At the summit was another monster with the body of an indeterminate beast, wings on shoulders and a crown on head. It carried two wands in its claws. These are replaced in the reconstruction by a Hermanubis rising with the wheel, a Sphinx couchant at the summit and a Typhon on the descending side. Here is another instance of an invention in support of a hypothesis; but if the latter be set aside the grouping is symbolically correct and can pass as such.

Card Twenty

The Emperor from the Ancient Tarot of Lombardy Deck

A. E. Waite's Secondary Meanings

The Emperor, by imputation the spouse of the former. He is occasionally represented as wearing, in addition to his personal insignia, the stars or ribbons of some order of chivalry. I mention this to shew that the cards are a medley of old and new emblems. Those who insist upon the evidence of the one may deal, if they can, with the other. No effectual argument for the antiquity of a particular design can be drawn from the fact that it incorporates old material; but there is also none which can be based on sporadic novelties, the intervention of which may signify only the unintelligent hand of an editor or of a late draughtsman.

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